I’ve let it be far too long since I’ve posted here, but I’m going to make up for that right now with a post that’s actually useful. Useful to some, anyway. I’m going to list and give my thoughts on a few sci-fi markets that are currently open for writers. This list will be by no means exhaustive.
Now, I will admit that I’m doing this in part for my own later reference. However, I feel it’s still worth mentioning Dark Futures, which I am the Editor-In-Chief or and produces Phase 2 Magazine. Dark Futures is a paying market and that’s something which is very important to me. At this time, that payment is a flat $5 per accepted story and that includes reprints. Agreements are also nonexclusive. One potential downside is our turnaround time for reviewing submissions can be quite lengthy. You can, of course, withdraw your submission at any time. We also accept simultaneous submissions, we just ask that you let us know if you need to withdraw your submission because it was accepted elsewhere under an exclusive agreement. You can find our full submission guidelines here. You can find out more about Phase 2 Magazine here.
Now onto Altered States 2. This is a cyberpunk anthology to be released by Indie Authors Press. It is being edited by Jorge Salgado-Reyes and Roy C. Booth, both of which are moderators with me in the Cyberpunk Writers group on Facebook and have been published in Phase 2 Magazine. There’s no firm deadline for this anthology. They are instead simply saying “until filled”. This way you know they’re working to accept only the stories worth accepting. They have a ways to go to fill it yet but, if you’re interested, don’t wait too long. They prefer stories between 2,000 and 10,000 words but say they can be flexible. Of course, keeping it in their preferred range is probably your best bet. They will consider reprints but they’re not preferred. Payment on this one is a flat $10. You can find full submission guidelines here.
Next up is a sort of bucket list market for me: Analog Science Fiction & Fact. This is one of the few sci-fi lit zines you can walk into a book store and buy a hardcopy of. They pay pro rates (which is $0.07 per word these days, if I remember correctly). These are the big boys, no doubt about it. Their turnaround time can be a bit slow but the payoff is huge if they accept. Full submission guidelines can be found here.
Crossed Genres Magazine is one of the zines I have a subscription to because I like what they’re doing. I’ve submitted to, and been rejected by, them once, myself. They’re not exclusively sci-fi, but that is one of their accepted styles. Each issue has a theme so they have what you’d call rolling deadlines. I think each theme is open for a month or so. They pay pro rates and probably get fewer submissions than someone like Analog. Full submission guidelines, as well as a list of upcoming themes, can be found here.
Finally, we come to what may currently be my favorite literary zine and is definitely a bucket list market for me: Grimdark Magazine. They’re not exclusively sci-fi, but they do accept it and the term grimdark actually originated with sci-fi. Warhammer 40,000, specifically. And, boy, am I a 40k junkie. I also happen to know, from numerous discussions on Facebook, their editor is a big 40k fan. They’ve also recently been publishing authors known for writing 40k fiction, both with Black Library and on the Games Workshop end of things. They pay a pro rate, more or less. Payment is in Australian currency and since SFWA standard is US currency I think it technically comes up a little short but it’s still damn fine money. Full submission guidelines can be found here. Be warned, this is a tough market to crack. They’ve been getting a lot of support from well known authors of the style and that’s a lot of what they’ve been publishing. Hell, Duotrope lists them as having a 0% acceptance rate. Of course, that just means anyone who reports on Duotrope has never been accepted by them.
That’s all I’ve got time for right now, but if this post goes over well I’ll do more like it in the future. I’ll even get into smaller, less known markets and possibly ask editors some questions for all of us.